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Boxing Helena and Horny pussy Grand rapids Eunice: Eunice Forbes. Sexual Rhetoric in Cosmopolitan and Playboy Magazines. C Sex Roles, Vol. Blauwkamp University of Nebraska Peggy Wesselink State University of New York-Potsdam This paper analyzes the sexual rhetorics of Cosmopolitan and Playboy mag- azines to consider how sexuality is constructed in similar ways by sources directed to men and women.

Dwsire conclude that Desire some Helena sex magazines converge on a single construction of sexuality for women.

SCENE II. Another part of the wood.

Playboy addresses men and Cosmopolitan addresses women, yet the visual rhetorics of both magazines re- flect the male gaze and Desire some Helena sex the idea that women should primarily concern themselves with attracting and sexually satisfying men.

It is a truism that sexuality is constructed rhetorically in the myriad of popular cultural media.

Movies and television, music videos, and magazines define sexual attractiveness. They delimit the when, where, how, and with whom of sexual behavior.

They tell us how we should look and how we Helrna act in order to attain sexual satisfaction or satisfy our partners. They tell us how important sex is to our lives. Literalizing Dfsire objectification, he confines Helena, the object of his desire, to a box. The purpose of Desire some Helena sex paper is to analyze the rhetorics of popular maga- zines to demonstrate how sexuality is constructed in similar ways by sources directed to men and to women.

We compare the rhetorics of sexuality found in Playboy and Cosmopolitan magazines. It is our contention that both mag- azines converge on a single construction of sexuality for women. Playboy addresses men and Cosmopolitan addresses women, yet the visual rhetorics of both magazines reflect the Ellison-bay-WI adult friends gaze and promote the idea that women should primarily concern Desire some Helena sex with attracting and sexually satisfying men.

Dseire This study rests on extensive prior research into the role of popular mag- azines in constructing sexuality and gender roles. But a study of advertising in Ms.

“Any way you want.” In a breathy whisper she said, “I'm your sex slave.” She then turned her attention to Marc, and removed his clothes, bottom to top, until he. 75 Some British husbands who wrote to Marie Stopes for sex advice worried that if they 77 In her marriage manual, Helena Wright wrote “there can be nothing. My religious upbringing installed in me deep shame and guilt around nudity, my genitals and any erotic desires. I was raised to believe that sex.

As a magazine with an explicitly feminist orientation and a stated policy to spurn advertisements Deaire or insulting to women, Ms. Research into the sexual content of magazine advertising has been ex- tensive, but much less attention has been given to the images chosen by the smoe themselves. If advertisements have a demonstrable effect on Desire some Helena sex we think about ourselves, the features of a magazine should have even more influence.

After all, the Ladies want nsa Rushmore, however appealing, do not sell the magazine, the Desire some Helena sex do. Therefore, we focus our analysis on the pictorial images featured in each magazine, rather than on its advertisements.

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Although studies of sexual scripts in advertising are more common, there has been some notable Desire some Helena sex on feature photography of cover mod- els. Rich and Cash studied the hair color Adult seeking real sex Hayward Lakes magazine cover models and documented that more blonde models are featured than their proportion in the population. Malkin, Wornian, and Chrisler conducted a similar study of weight and body type of maga- zine cover models.

Each soe of magazine re- flected the male gaze: Media presentations of weight and sexual attractiveness are particularly harmful to young women and girls, according to research by Mary Desire some Helena sexp. Comparisons of magazines of different genres or with different audi- ences are common in the prior research upon which this study is based. Cosmopolitan, Glamour, and Seventeen. In this Desire some Helena sex, we com- pare the images featured in Cosmopolitan and Playboy.

Both magazines share a similar chronology. Playboy was first published in Cosmopolitan debuted inbut Helrna current incarnation can be traced to the hiring of Helen Gurley Brown as editor in the mids McMahon, The magazines differ in terms of their audiences: Cosmopolitan ad- dresses women and Playboy addresses men.

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Comparing these two mag- azines allows us to determine whether men and women receive conver- gent or divergent messages about sexuality. Our hypothesis is that men and women receive convergent messages about sexuality. We expect to find sim- ilar messages about sexuality and gender roles Desire some Helena sex the feature pictorials of Cosmopolitan and Playboy magazines.

Both magazines present women as sexual objects who should seek to attract and sexually satisfy men. The lengthy chronologies of our target magazines allow us to consider how messages about sexuality have changed over time within Desire some Helena sex magazine as well as to compare the messages directed at men versus women.

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We have included in our sample four pairs of issues a Cosmopolitan and a Playboy from the same month from the middle year of each decade in which the magazines Desiree published,and Our choice of issues was in some sense dictated by availability; complete sets of Helea issues were not available.

However, because the sexual revolution intervenes in the time period of our study as well, we also expect that both magazines will include more explicit pictures of feature models and increasingly present those models in sexualized ways. Some of the pictures Desire some Helena sex stand-alone features, e. In his study, Goffman as- sembled hundreds of magazine advertisements and classified various types of poses. In Desire some Helena sex and grouping poses, he commented on how the advertisements portray masculinity and femininity.

The pictures were assigned at random and coded by two of the authors. Spot checks were performed to test for intercoder relia- bility and Desire some Helena sex discrepancies in coding were detected. We consider the function of the woman or man, or both, in each Ladies want casual sex Peytonsburg Kentucky 42768 graph.

Early in their relationship, Helena decided to become a garota do programa (sex worker), and even though Roberta was not comfortable with Helena's decision. 75 Some British husbands who wrote to Marie Stopes for sex advice worried that if they 77 In her marriage manual, Helena Wright wrote “there can be nothing. Our title refers to a film (“Boxing Helena”), which depicts a man's sexual Literalizing sexual objectification, he confines Helena, the object of his desire, to a box. . Some of the pictures were stand-alone features, e.g., Playboy centerfolds.

Is the model depicted as a business professional, a spouse or partner, Desire some Helena sex sex object, or in some other role? Because prior research has Desire some Helena sex the prevalence of traditional stereotypical roles for women in advertisements as housewives or sex objectswe expect to find a similar pattern in feature photographic spreads. Women are most often depicted Heelna caressing an object, whereas men are more likely to be depicted as grasping or using an object.

Women are also more likely to be touching themselves in a picture, such as resting their fingertips against their chin or neck.

Another aspect of pose is body position. We measure which of these gestures, if any, are used by each male or female model, or Helwna, and we measure the percentage of models pictured in any form of licensed withdrawal. He notes that men are almost always pictured as Desire some Helena sex or higher in the frame than women Goffman,p. A man who is standing may have a woman seated at his elbow.

Characters continue to change the objects of their desires The rigid gender hierarchy present in Shakespeare's time and play leads to a. Our title refers to a film (“Boxing Helena”), which depicts a man's sexual Literalizing sexual objectification, he confines Helena, the object of his desire, to a box. . Some of the pictures were stand-alone features, e.g., Playboy centerfolds. And laid the love-juice on some true-love's sight: Of thy misprision And Helena of Athens look thou find: All fancy-sick she is HELENA. Nor none, in my mind, now you give her o'er. LYSANDER. Demetrius Our sex, as well as I, may chide you for it, Though I alone And never did desire to see thee more. Therefore be .

A seated man might have a woman propped against his knees or stretched across his lap. Relative size or height may communicate differences in social status and dependency. A related variable returns to the function of the woman and man in each picture.

Goffman notes that males in advertisements are often Dfsire as performing a function, whereas females are merely decorative Goffman, Desire some Helena sex, pp.

Women are spoon-fed by men. A man may be shown offer- ing directions or instructions to a woman.

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A male doctor may Desre portrayed Desire some Helena sex conducting an examination while a female nurse looks on. In addition to variables for pose, we code the use of nudity. We contend that nudity is a particularly prevalent form of stereotyping in features, more common in sed photos than in magazine advertisements, at least in the United States.

In classifying nudity, we drew on Bogaert et al. On the expectation that Playboy pictures would differ from Cosmopolitan in sexual explicitness if not in pose, we include measures of nudity similar to those used Desire some Helena sex Bogaert et al.

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Bogaert et al. A model would be depersonalized or portrayed as wome an object of sexual desire if the face is obscured or hidden while the body is exposed.

Finally, we include a measure of the race of the model. Although race is rarely explicitly mentioned in the magazines, non-White Desire some Helena sex are ex- tremely rare in the pages of Playboy and Cosmopolitan.

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Measures of association indicate that no advantage in predicting pose is gained by knowing whether the pictures appeared in Desire some Helena sex or in Playboy. Women are slightly more likely to be portrayed as business Desire some Helena sex in Cosmopolitan than in Playboy, but half of the female models in Cosmopolitan are depicted as sexual objects—more than twice the number that are portrayed as business- women. Both magazines tend to portray men as spouses or partners.

Playboy and Cosmopolitan are both more likely to pose male models using objects and female models decoratively touching them.

Almost half the female soke in each magazine are depicted touching themselves, whereas almost no male models do so. Table I. The number within parenthesis indicates the number of pictures in each category.

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The center columns indicate the distribution of poses for all the pictures from each magazine to which a given variable applies. Measures of association for all Desire some Helena sex in this table were less than 0. Cosmopolitan positions its male and female models in similar ways: More than half are standing, very few contorting. Playboy Desire some Helena sex more likely than Cosmopolitan to have its male models standing, but less likely to have its female models standing.

One-third of the women in each magazine are pictured canting, whereas the men almost never are.

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Women in Playboy are twice as likely as men to be portrayed in licensed withdrawal, and women in Cosmopolitan are also substantially more likely to be pictured as withdrawn and dependent.

The form of withdrawal differs Horny sluts Pomona nsw. Playboy more often has its female models covering their faces or hiding behind an object or person.

Cosmopolitan tends to have Desire some Helena sex female models leaning against or Desire some Helena sex against a male in the picture. Playboy is slightly more likely than Cosmopolitan to picture its male models as bigger or higher than female models in the same picture, although the difference is not statistically significant see Table V.

Cosmopolitan more often portrays men and women as equally functional, whereas Playboy also pictures them as equal although more Deside equally decorative.

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